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Hello. İlhan Mimaroğlu is 100 years old.

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Electronic music in 2026

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pioneers, composer, music

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critic, producer and writer İlhan

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100th anniversary of Mimaroğlu's birth

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He was born in Istanbul and spent most of his life

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versatile student who continued his studies in New York.

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Music person İlhan Mimaroğlu'nu Yel

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two days in mill art

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We commemorate with events. In this interview

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It is very valuable to know him closely

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I have two guests. New living in New York

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at Stevens Institute of Technology in Jersey

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music professor and pianist Ayşegül

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Duroğlu and composer musicologist Professor

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Doctor Alper Maral.

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Ms. Ayşegül, curated by you

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In these events that took place last night

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An amazing concert and profound

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presentations took place. first concert

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In the half, you will be more aware of İlhan Mimaroğlu.

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piano works that have not been performed before

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you voiced. How are these works

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I wonder if you reached it. same

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You also want to meet İlhan Mimaroğlu.

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and ask about your work together

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I want.

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>> Of course, with pleasure.

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Well, first of all, this project is for me.

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Well, it is very, very important, very meaningful.

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project. Well, in the realization of this project

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both the concert and the subsequent movie

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I think the show is entirely by İlhan Bey.

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An event that he will be very pleased with.

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happened. The 1990s with İlhan Bey

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We met in New York at the beginning.

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>> Well, of course I knew him.

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I heard your name a lot. But eh one

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We have the opportunity to confront each other

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It hadn't happened. Well, New York, where I did my doctorate.

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Like a graduation concert at University

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I had a concert

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>> and he came to that concert with his wife and

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He came behind him and congratulated him. Mesia's

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eee Vizyon Dölemen for two pianos

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We performed his work. a lot

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He was excited. Well it's very nice

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we met. Then they invited me and

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So our friendship, our friendship

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started. Well then, of course, it's me, well, graduate.

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After completing his studies, he generally turned to contemporary works.

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I founded a community for .

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>> Well, of course, our main topic is Turkish.

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It was mostly contemporary Turkish composers.

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Well, of course, I also read the works of İlham Bey.

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He wanted to voice it. to himself

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I called. Well, Mr. İlham is such a Turk.

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the works of such Turkish composers

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I will make a program that includes . yours too

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Can I post one of your works? what

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I asked him what he thinks. he/she

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Well, it's just me, sir. Well, I'm fine.

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In my music, like other Turkish composers,

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Turkish rhythms elements

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He said, "I don't use it." Well but I said too

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"After all," he said, "I am Turkish." So I said

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actually more

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Interestingly, I don't have such a problem.

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I said. I would be very pleased. of this

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Then tell me, "Well, it's the first song I played last night."

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work From The Other Day

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He sent his work called by mail and

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He sent it with a note.

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>> I also studied that work. himself

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I called again. Me to you before the concert

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can i play this? Of course

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he said with satisfaction. We met. Even

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Jülyard was living next door to him at the time.

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job. So we met there. me in a studio

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Well, of course, I was very excited, I mean, I was pretty excited.

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I couldn't sleep. E Ilhan Bey for his work

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I'm going to play it, I'm pretty excited for it

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happened. His wife also calls me all the time.

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Ayşegül, please prepare well. so much

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He warned me. At the bire gate of idil

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He told me that he cooked eggs. Well later

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We met and started working. Of course

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He is extremely detail oriented

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with his serious and natural attitude

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My excitement was gone and we worked for a long time

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together. Later I read his work

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premiered by Bruno at Lincoln Center

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I did it at Walter auditorium other Turk

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along with the works of composers. That too

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He was very pleased. Even in the Republic

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He wrote a nice article for that concert. And he

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The concert is my gift to New York

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He described it as.

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>> He was a very elegant, kind person.

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Even though we met and became friends,

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writes notes on his typewriter after the concert

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He would send it to me by mail. And last night

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Well, most of the pieces I play are all his.

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The works he sent me. by mail and

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always take them along with your notes

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I keep it. Dear Alper Maral, you are one

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influenced by their vocal and verbal records.

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one presentation called generations and another

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Two presentations titled aesthetic opposition

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You made it happen.

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Very valuable İlhan from your own archive

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Mimaroğlu's records and books

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you shared. First time with İlham Mimaroğlu

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How did you meet and what happened next?

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your encounter

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and can you share its effects on you?

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>> I would be honored. First of all it's like this

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an extraordinary opportunity somehow

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It's endless from sharing

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I'm happy. Thank you very much again

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like our dear teacher Ayşegül. So me

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Ilham is one of the names that make

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Mimaroğlu. I said it was great for years.

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I said he was my teacher from a distance. well ours

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Our generation is particularly interested in jazz and ideas.

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eh, I prefer to call it jazz

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In the jazz introduction that surrounds the issues, there is a lot

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He became an important name. key name

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has happened. And my main working medium is

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electronic music only in Türkiye

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not one of the most important figures in the world

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is one. I did this yesterday too, even if just for a short while.

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rather than having the opportunity to explain

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Frankly, I'm happy. Thanks again

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I do. This is how we met

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We are in our high school years. We find ourselves a

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We are trying to establish and find it in this way.

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With this liberal nature of jazz music

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we met.

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There are a few very important records. jazz me

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by Blue Zomb modern CZ Kuin

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Here's to playing the bahmah in our own way

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We are working. with our teacher now

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I didn't want to say it like that, but I mean piano

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We learn the alphabet like this at the beginning.

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>> Well, we all started with the classics, but

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How are the names we know also in CZ?

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That album is happening. A start.

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Then, as we progress, important CZ

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peists Chikore, Herbyko, Kitchert,

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A combination of all four of Mcoor

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record We lost our minds.

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Oh how beautiful. Then I'm written and drawn

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I'm completely absorbed in the music.

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Of course, Duke is the master of all of us. new orleans

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Suite record, White record. Oh my God.

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Mingus' Cornig Hall concert. These

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The first CZ records released in Türkiye. first

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So, the most prominent CZ plaques.

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Things that we all believe established jazz in Türkiye.

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We grow with these. Then I realized

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The producer of all of these is İlham

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Mimaroğlu. Oh your strange sounds

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I'm after you. Here's to electronic music

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I took a step like this. Stock is your goose,

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While I was saying this, that, I saw İlhan.

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Mimaroğlu is the world's most important electronics company.

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one of the music composers. That green record

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There are and electronic music, electronic

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A record titled music. Even John

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Lennon also has his photo in his hand

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there are many generations of electronics

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works that I can call amenus of music

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The record it is on. records all Inspiration

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He became an architect. Of course I was fascinated, but

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The real turning point was İlham Bey's Singm

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The record called Song of Song. Because we are both jazz

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Well, in our own way. Freddy Harbert

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There are five of them there. to the Vietnam war

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against the policies of that period.

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Our political consciousness is developing. Here is Fazil

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We love Hüsnü Dağlarca. I looked, Fazil.

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Hüsnü Dağlarca's poems in English

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There is Freddy Hubbert. What I've listened to in my life

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The most extraordinary electronic music on play

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still is. Inspiration behind it all

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There is Mimaroğl. I was fascinated. e-books

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We are already reading. I don't remember but

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I'm in high school. A letter to İlham Bey

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I wrote. Meanwhile, orchestral music

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I tried to write something like that. well that's it

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The most intense of my orchestral music

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photocopy one of the pages

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jutt a red line on it like this

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"Everything will be better in the new year"

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I wrote and sent it saying I wish it would happen.

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>> Uh-huh.

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>> Tell me, Ayşegül Hodja is also very beautiful.

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he said. With its odakilos and letterhead

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He wrote a one sentence answer. He wrote.

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Well, this wish is yours rather than mine.

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I am of the opinion that it is for. still

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thank you for remembering me

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I do. Probably the most precious thing I have

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This is one of the letters. Well later

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For years, in every job, I went to New York.

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of our fallen friend İlhan Bey

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I learned that you were knocking on his door. Well, a lot.

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I learned that you were welcomed well. But he

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I value your time so much

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I won't take it, master. Let me follow from afar

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I said.

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One day, of course, here are all his books.

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I'm reading. Our conversation with Ms. Güngör

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there is etc.

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Ambrose Pearson The Devils Dictionary

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called the extraordinary Devil's Dictionary

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book. I'm a chamber opera from it

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I had done it. İlhan Bey's dervish lodge

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wrote an article about him in his magazine

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I read it. I said I couldn't stand it anymore

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like this. Then eh, life right now, eh

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It has a very prominent place in my studio. a lot

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with a graceful message of appreciation

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sent. Well personally only

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I think I met him in '91. Well

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They came for a concert in Türkiye

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Pany after Bülent Arel

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A erm conversation took place in publishing.

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I met there and this is my life

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Well, a word or two about the album that changed

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I had the chance to ask questions and get answers.

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Well, we're still finding our way with your guidance.

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We are working.

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I could talk forever but

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I won't make it longer. Ms. Ayşegül, last night

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What you shared with our audience on stage

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Notes by İlhan Mimaroğlu

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You can also share your confusing story here.

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can you tell me? Because right after

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With Alper Maral

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you have performed

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great performance part

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I want to tell you. Yes. Well

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That first work I mentioned in the previous question

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I love From The Other Diary

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After singing, tell me

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He said it this way: You said sir

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The order of these parts is slightly different

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He said, "You stole." Well, I said, he told you

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I will send another work. And one

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Memori with a yellow envelope a week later

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A work called Sonata came along. And he said

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He said this work as you wish

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Mix them up and arrange them as you wish.

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He said you can play it. I saw it for the first time

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I sang half of it here last night

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and it came to my mind. together

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Our presentation is like Dadaism.

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so that we can be together. Well and well to Alper

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I asked him to mix it and in rehearsal

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we didn't. So it's a complete coincidence

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It was a show. Well and so the first

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We did our show together,

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we made it happen. Thanks to İlhan Bey

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I mixed up the notes. It was very beautiful.

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Now from the second half of the concert

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I want to talk about it. Before this chapter

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Ali Perret on piano, İmer on trumpet

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Demirer, Meriş Demirkol on alto saxophone

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and Başar Ünder's place in electronics

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Ali Perret and Frehouse took the stage

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and they performed two amazing works.

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Then Aydın Esen sat down at the piano.

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passed and a magical performance

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carried out.

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Then he made a surprise. Ilhan

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Mimaroğlu's favorite Cherokee

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in the hall to sing his piece.

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Randy, who was in the audience

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He invited Eseni to the stage. co-vocals

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They made a piano duo and the concert was like that

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It ended magnificently.

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>> What do you say? Ali Peret Aydın Esenle

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What would you like to say about it?

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>> So in short

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>> then if you tell me

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>> briefly Yes. While planning the project, Ali

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I reached Peretli Aydin. I am enlightened

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from childhood, from the municipal conservatory

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we grew up together. With the same teachers

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We worked. Ali Peret with İlham Musbaş

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We studied composition together. More

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We continued our conversation afterwards.

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Of course, their admiration for İlhan Bey

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I also knew. Ali had already met

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And well, both of them, start right away.

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They said they wanted to participate and

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Well Ali, well this is for last night Charles

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Exclusively eee from Mingus to the eee group

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He arranged that piece and second from the back

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In the piece it's just this last night

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the song he wrote for the concert and the inspiration

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Upon Bey's words, eh, last.

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A very emotional and incredible work.

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So we listened.

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>> Well, let me add the following. Well Aydin

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Esen is our elder, our brother.

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It's always such a legendary name.

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is pronounced. Aydin Esen is like this, Aydin

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Esen is like this. Why is Aydin Esen like that?

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Yesterday it was like this and beyond

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We had the chance to see it once again. I every

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I told him to his face yesterday.

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He's light years ahead of us. a musician,

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pianist This is of course extraordinary

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education, training and

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So thanks to his amazing skill

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I guess it's really in this hall, CZ

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the best person ever listened to at the piano

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It was an extraordinary event. and beloved

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Rendy Esen. And that is Bahçeşehir

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in our CZ department at the University

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He is our valuable teacher. not singing

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That's the verb I can call living a song

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It showed my life so beautifully

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passed in concerts. I watched many concerts.

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In such a concert, only the audience

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It's an immense honor to be not just a partner, but a stakeholder.

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I heard.

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We, as the audience, Ms. Ayşegül

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Windmill under your leadership

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This rich content realized in art

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We were honored by the event. Ilhan with us

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Mimaroğlu's music and memories

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and Alper Maral engin for sharing

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Thank you so much for sharing your information.

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thank you

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>> Thank you very much. Because

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You know, Mr. İlham is also fashionable.

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He was from Kadıköy. Well, in this hall in Kadıköy

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It is very important for us to celebrate this

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It became meaningful. Today's program coming soon

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will start. İlhan Mimaroğlu's Nazım

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For Hikmet's Desire to Become a Mechanizer

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his composition together

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There will be a video screening of your voice.

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before. Thank you so much for this wonderful interview.

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Thank you.

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>> We thank you very much too. You too, right?

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Be. So are you.

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It's like going deep into history

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I don't have to watch. Among the ages I have not lived

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Only one age will defeat me.

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This is not in the Yustani tradition either.

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in our century. early years

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Beautiful, I'm not there either, sorry

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a head

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Tell us far from 1914 and generally

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in terms of lifestyle

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and in the arts, especially music

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It is an era of great breakthroughs in the field

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in terms of

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Starting from the last years of the 19th century

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not the first war, but the years leading up to it

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in Europe, especially in France,

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I want to linger

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not staying there as a result of lingering

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I knew I would want it but other than that

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Between the years I lived, history

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Here it will summarize the call

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There were important phases. mainly in the 1930s

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Turkey is just

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The 1930s were bad years for the world

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in america

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Fascism is being initiated in Africa.

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In such a world, a great

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It was a brand new country that had undergone a revolution.

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Türkiye. Growing up in the Turkey of that era

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Being a child was a big deal.

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Besides, every child wants a hero.

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Could there be a better hero?

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for the child?

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We have seas.

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sun

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in

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our trees

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There is in the leaf.

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morning

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evening

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We go and come.

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with our seas

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He

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kui

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Your heart is

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my

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chur

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memory

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so

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inside

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00:28:14,880 --> 00:28:17,880
my

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00:28:25,919 --> 00:28:28,919
H

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00:28:29,559 --> 00:28:32,519
my

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00:28:47,919 --> 00:28:50,120
check

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Heh.